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So i decided to do something about it. One actress who kept her locks long was 1920s box-office phenomenon Mary Pickford. You can either shake or spray the Hair Fibers into thinning hair, and watch as your hair is instantly transformed.

Also my energy levels are high. The reasons, like you mentioned, might be hereditary, improper diet, not washing properly, etc. The Shingle, which followed the Bob, cut the hair at the nape in a V-shape, exposing the neck.

1920s Long Hair Hairstyles

Wearing makeup really took off again in the 1920s after years of being in the wilderness. New products came onto the market and cosmetics became more affordable. The love of having a suntan started during the decade and nail varnish entered the modern age. Women were influenced by the queens of the silver screen, and magazines discussed the virtues of beauty and what was acceptable or not in the world of cosmetics. Prosperity lead to an increase in manufacturing and this, combined with a fresh interest in makeup, lead to a whole selection of new cosmetic products and brands becoming available. This, along with more affordable products on the market, led to an increase in the amount of makeup and skin care products that the average woman owned and used. As sales increased, it encouraged manufacturers to improve packaging — the compact was a great way to have portable makeup and a vanity case could contain all manner of makeup items. Cinema Colleen Moore on the cover of Photoplay Jan 1926. One eye was brown and the other blue. Her main rival early on was Clara Bow both played flappers Cinema had a tremendous influence on women. Actresses were seen as glamorous stars and the faces of women such as Clara Bow, Gloria Swanson, Louise Brooks, Greta Garbo were much admired and copied. Film fan magazines, like Photoplay and Motion Picture Magazine, followed the private lives of the film stars. The average woman may not have had such an adventurous lifestyle as portrayed by the leading ladies in films, but they could emulate how the stars looked — to a degree. Cosmetic manufacturers were quick to see the lure of the silver screen beauties, and started to use movie stars in adverts to promote their products. Makeup Men Max Factor and the Westmore family were the main Hollywood makeup artists of the day who worked with the film stars. Makeup Products Clara Bow Motion Picture Classic, July 1927. She sometimes had a beauty spot drawn onto her cheek or near her mouth. Makeup at the start of the decade was still on the more natural and cautious side. By the mid-1920s, makeup was openly worn and applied in public. Evening and daytime makeup etiquette was considered different, especially in magazine articles — what was acceptable at night was not necessarily acceptable for day wear. Women would have day makeup and different colours for evening makeup. As wearing makeup was relatively new to the 1920s woman, the range of colours limited especially for women of colour and guidance was found mainly in magazines and from manufacturers, end results could be mixed. Also, lighting in homes was not as bright and abundant as it is now. Face and Complexion The complexion was considered the most important aspect of beauty, as it had been in previous decades, and cold cream was a best seller throughout the decade. A variety of skin care products were on the market for example, to vanish wrinkles, build tissue, vanquish blemishes and freckles , and their use widely discussed in magazine articles. After cold cream, face powder was probably the most important makeup item for many women. There was even a green-tinted face powder, used more in the early 1920s. Face powder was applied with a powder puff and used liberally. Powders were sometimes mixed to personalise colour more, and some women used different colours on different parts of the face — a sort of contouring attempt. Mary Garden rouge 1920 in progressively darker shades of pink Rouge was applied to the apples, where cheek colour naturally occurs. Application could often give women a soft, flushed look to the face. Lipstick and rouge colour would often be matched. Rouge came predominantly in shades of pink, from pale pink to dark rose. Rouge with an orange tint was considered good for women with a golden skin tone or, later on, a tan. Rouge formulations include dry powder, liquid and paste, and came in little pots, tins, jars and compacts. Eyes and Eye Shadow Classic 1920s eye shadow is dark, soft and smoky. Colour was applied to the eyelids and crease, and also underneath the eyes. Magazine articles from 1926 on mention purple and blue pencils used as eye shadow. There was also brown eye shadow. For those less brave, or for a more subtle daytime look, a trace of darker face powder was used on the eyelids. Pencil liners were used to draw a line on the upper eyelids or round the whole eye. A dot was used in the outer corner to give the tilted-up look. Eyelashes Block eyelash beautifier spit, mix, brush! Mascara was still a relatively new invention and used to primarily darken the lashes. Formulations include liquid, paste and a solid cake block, with a little flat brush for applying the product to the lashes. It could also be used on eye brows. Maybelline was the leader in eyelash products and the company spent a lot on advertising. In 1923, a new device was invented — the eyelash curler. Made by Kurlash, it was a big success, despite being expensive at the time. It looked similar to the clamp curlers we use today. Natural brows would be shaped in a thin arch and coloured using paste or cake mascara, or a brow pencil. It was fashionable to draw the ends of the brows beyond the natural brow, and slopping down. Everyday women may not have plucked their brows as thinly as seen on some movie stars or in adverts. In portrait photographs, ordinary ladies have brows that tend to be a bit thicker. Lips and Lipstick Lip pomade came in pots or in a palette as part of a compact. The new thing in lipstick was the push-up tube made from metal or Bakelite , invented by Maurice Levy in 1915. Lip colours came in shades of red, pink and orange — colour descriptions used in adverts and on products include poppy, rose, scarlet, cerise, raspberry and carmine. Tangee made one lipstick — an orange that turned a coral pink on the lips. Indelible lipsticks long-lasting were also available. The upper lip was heart-shaped, and lipstick on the lower lip was applied short of its outer edge, creating a smaller-looking and rounded mouth. The half moon manicure started in the 1920s The cinema showed women from all walks of life, from socialites to secretaries, with immaculate nails. Manicured nails were no longer just for rich folks whose hands never saw manual labour. Everyone could have nice nails. Nails had been coloured for thousands of years using pastes, liquids and waxes made from all sorts of ingredients, largely unchanged for centuries. Liquid nail varnish with more in common to the products used today started in 1917, when Cutex introduced varnish made from coloured resins. After World War I, there was a surplus of nitrocellulose. Experimentation showed that boiling nitrocellulose made it soluble in organic solvents, which, once evaporated and dried, left a hard, glossy lacquer. The car industry loved it and, with a few minor tweaks, it became nail lacquer. The first products were made in translucent soft pinks, creating a natural-looking colour reminiscent of the nail waxes used at the time. For a white nail tip, products like Cutex Nail White was used under the tip. Nails were filed to an oval tip, some even had quite a sharp point. One style of manicure seen in the 1920s was the half moon manicure: where the round moon and tips of the nails were left bare. Photos from L to R: Singer Marian Anderson c. The Start of the Suntan For much of the decade, having a tan was not fashionable — pale was in. To remove any sign of a tan or blemishes, women of all skin colours, black and white used whitening products like bleach cream, and pale-coloured face powders. The rise of the tan started in about 1928. Magazine articles were suddenly devoted to the suntan, and new tanning products started to be seen on the market. Coco Chanel is often credited with popularising a suntan among the wealthy. The story goes that after inadvertently burning during a trip to the French Riviera, her skin had turned a golden brown colour by the time she got home. Josephine Baker, the dancing belle of Paris with her exotic looks and naturally dark skin, may have also contributed to tanned skin being fashionable. Makeup products changed to take the suntans popularity into account — pale powders were out, and new shades were released to be worn on tanned skin. Fashions in Makeup: From Ancient to Modern Times. The 1920s American Popular Culture Through History. First University of Pennsylvania. This is such great info, and so well-researched!

Eyelashes Block eyelash beautifier spit, mix, brush. I tried to shake off the urge, but had to con admit to myself that male pattern baldness was I really, really wanted. I figured since it is pretty damn healthy, it could deal with some bleach damage. I even have friends that have lost all of their hair already, so I consider myself lucky enough that I found some caballeros and treatments in order to slow it down and keep a lot of it. If you want to be the first to know about new posts to thesign up for the to receive an email a couple times per month or check us out on. This is resistance in order to maintain the long-lasting effect of the hairstyle. Maybelline was the leader in eyelash products and the company spent a lot on advertising. Jewelled headbands were designed with an ancient Egyptian look to them and one style of blunt-cut bob with a wispy fringe was called the Difference Bob, inspired by the hairstyles seen in Egyptian art.